Early British Invasion of Singapore: RAF 50s Music

An Earlier British Invasion of Singapore:

"The Club at the air-base in 1955 to 56 was a beaut place. There were good bands that played there too, one of which I recalled had everyone lustily singing Irish protest songs... (edited)"

"Eggs and chips, export lager and Elvis on the jukebox, singing Don't Be Cruel as I lusted after Mary, a lovely Irish redhead WRAF... (edited)"

During the early years of Singapore's colonial history, before Cliff Richard and The Shadows rocked Singapore with their performances in the 60s and before UK Servicemen vocalists and bands like Philips recording artistes Bobby Lambert, Brian Neale, The Dee Tees and The Diamond Four performed at the Golden Venus and Serene House, British servicemen who were here in the 50s already had a rollicking time with big band swing music at a Club at RAF Changi.

A band like the above (image 1) had four blowing instruments, drums and tinkle board. They never needed electric plugs nor solid guitar amplifiers to make music. Like the local pop 60s band after them that played during T-dances, these amateur groups were in great demand especially during the weekends. But these chaps, who called themselves JG, appeared without bow ties, suits nor shoes as they jammed in shirts, shorts and slippers.

Image 3 shows the party goers having a great time on the floor. These young men and women made sure they enjoyed themselves at the Club, dancing perhaps to the sounds of British greats like Ted Heath, Johnny Dankworth, Humphrey Littleton and American swingers like Glen Miller, Harry James and Benny Goodman.

This particular gathering could have been a birthday party with balloons to boot and was held at a ballroom in the Club during the 1950s (image 2). So if the later imports brought RnB, then the earlier ones established swing. And no soft drinks like Green Spot, Sinalco or Mirinda Orange for them but beer, beer, beer, gushing through the bottles for a jolly good time.

"Pardon me boy, is that the Chattanooga Choo Choo, Track 29, well you can gimme a shine..."

If you are familiar with the above images, please write in.

#The Passing Away Of Edmundo Ros:
[The JG band could have played some Edmundo Ros' Latino music too, who knows. FYI this great music leader had just passed away on 21st October, 2011 at 100 years young. He was one of my favourite musicians, having listened to him nearly every day in the 50s with favourites like The Wedding Samba, Melodie d'Damour, Quizas Quizas Quizas (Perhaps Perhaps Perhaps).]

Images: from Flikr.

Original article with accumulated information from websites: Andy Lim

George Shearing: Jazz Piano Legend: 1919-2011

SONGS I LOVE:

Gone! One of the greatest musicians, truly. I often listened to him in the 50s on the family radio and was the first time I heard Lullaby Of Birdland. The radio announcer (we call them DJs now) would always say, "Ladies and gentlemen, here's the George Shearing Quintet with, Lullaby Of Birdland." It could be from the BBC? Can't remember.

PARKER, ARMSTRONG, ELLINGTON:

It was one of the first few jazz standards I was introduced to, composed by Shearing himself in 1952. I later found out that the title referred to Charlie 'Bird' Parker, another jazz great who was together with Louis Armstrong and 'Duke' Ellington.

COLE, LEE, TORME:

Britisher Sir George Shearing, who was blind, was knighted by Queen Elizabeth II lately. He was one of the best jazz pianist and concert performer having recorded over 300 songs. Legends who had appeared and recorded with him would include Nat King Cole (image), Miss Peggy Lee and Mel Torme.

UNIQUE SHEARING SOUND:

As a teenager he received only 3 years of formal training at a school for the blind. He was a natural and his musical education came from listening to Earl Hines, Fats Waller, Art Tatum and Teddy Wilson. He developed the special 'Shearing sound' characterised by the distinctive sound of the Glen Miller big band.

SEPTEMBER IN THE RAIN:

Also recorded by Shearing, Russ Hamilton and so many others, September In The Rain (1937), is another personal favourite. His repertoire of songs would definitely have been played in the dance cabarets of the Great World, Happy (Gay) World and New World amusement parks in Singapore in the late 50s and 60s in Singapore.

Images: Google Search.

Original Article (Website/Newspaper Information): Andy Lim

Song About Singapore Covered By Top US Artistes Or "Why Our Music Appeals To Western Ears."

On A Little Street In Singapore:

It's a well-known fact. A song about Singapore has been covered by top US bands and groups. And it was covered a long time ago. On A Little Street In Singapore is a very old song by Peter Derose and William J. Hill and was popular in the 30s and 40s.
Dorsey, James, Sinatra, Miller:

It was revived in 1978 by the Manhattan Transfer and when the group was here, the song became their trademark. Besides the Manhattan Transfer, Jimmy Dorsey, Harry James, Frank Sinatra, the Ames Brothers, Bert Kamfert and Glen Miller have covered it.
Exotic East:
The lyrics are typical of songwriters from the West when they interpret the exotic East, 'We'd meet beside a lotus covered door' and 'My sails tonight are filled with perfumes of Shalimar/With temple bells that guide me to her shore...' I am wondering if the cruise ships currently plying our shores are aware of this practice.

Suzie Wong:

Would be a great idea to boost tourism but shouldn't we have church bells too? And Christmas bells? Songs about Asia by Westerners will always have this cliched viewpoint and Singapore is no different, a sunny island in the mysterious East with its slant-eyed, cheongsam chicks called Suzie Wong. By the way, have you seen 'a lotus covered door' lately?

Charlie Chan:

To be fair, On A Little Street is a great song from the 40s, with its razzmatazz and jazzy, finger snapping composition but I am not too sure about the lyrics. Seems like Charlie Chan is still lurking around in some corner with his moustache and greasy hair. And Singaporeans are still wearing coolie-hats and samfoo!!!

Bootleg CDs:

Is this the Singapore some Western listeners are interested in, when they buy bootleg CD selections lifted from 60s Asian music vinyls? No wonder our 'older' songs are still selling. All for the wrong reason. Or is it for the 'Wong' reason?

Click: Movie Theme Songs Label below to check similar article about song Sayonara. (July 3rd, 2009).

Image/Movie/Singapour: http://www.doctormacro.com/
Original Article: Andy Lim.

(7) Peter Chan's Love Story With 70s Music

(Image: Peter Chan at the Club Elite, 5th floor Supreme House Building, which is now Parkmall. Club Elite was a Japanese lounge which was part of Okoh Restaurant, owned by a Mr. Sato from Japan. Mr. Sato also ran the Orchid Inn Hotel at Dunearn Road in the 1970s.)

Dear Andy,

Raymond G. Rees-Oliviere (Lance Raymond as featured in previous postings), a friend of mine was with the British Army. He got involved with the music scene in Singapore and Malaya in the late 1950s. He knew some local musicians like the Solianos; they played cha-cha-cha and latin music.

Ray has written an article with many photographs. Golden Venus, where Ray used to play, was at the former Orchard Hotel and it still goes by the same name, situated at the corner of Orchard Road and Orange Grove Road.

When I took up music at Foorman's Music School, many of the teachers were Pinoys (Phillipinos) since there were many of these musicians from the 30s through the 60s. By associating with the Pinoy musicians I was introduced to contemporary music.

Thanks to my late father who gave me a start in music at an early age, I was able to find a safety net after National Service. I soon became a lounge pianist, not with a disco band this time because the government closed down many discos from 1974 onwards.

With the closure there were few opportunities for pop bands. The government's actions were in response to the hippie sub-culture and growing prevalence of drug addiction.

By the way, my own repertoire then was influenced by the Dragons, the Solianos and big band sounds like Glen Miller. When it comes to Chinese pop, it was more like the 40s and 50s because I used to spin records from Poon Sow Keng (Pan Xiu Qiong), Love Without End type of music and Bobby Darin, etc.

Cheers!

Peter.

PS: Ray made a reference to a jazz pub down at Boat Quay. It was after reading an article last month that I found where the place was. It's just after North Bridge Road going towards South Bridge Road after the bridge at the first building on the left.

7th in the series under 'UK/US Bands in Singapore'. Click under 'Labels' below to read series.

Image/Original Article: P.C. Collection.